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Culture

Situationist puts out a contract


Writer: Mark Szawlowski


“Impossible is nothing” as the folks with three stripes like to say. And this could just as easily be the maxim of Istanbul itself, where, I assure you, the unlikely lurks around the next corner, and the unexpected ambushes you at the next traffic light. Because Istanbul is all things to all men (and women). It’s a brash city-slicker arm in arm with a village idiot. A pious citizen lighting the cigarette of a harlot. History and consumerism with ice and a slice. I won’t say who, but many years ago when I’d just pitched tent here for good, 100m from İstiklal Boulevard, I had cause to put a contract out on a chicken. OK, it was a cockerel, and it belonged to the son of one of Turkey’s leading literary lights. The bird came as part of a job lot of chicks he thought would brighten up the communal garden, even though he only used his apartment as an office. The way 18th century aristocrats got actors to play jolly peasants in the grounds of their stately homes. And yes, lo and behold, one of the chicks turned out to be a bloke. Now I love nature, having eaten my way through most of it down the years. But this bird, beyond what comes naturally, was an early riser. And a voice, well, let’s just say it was nothing like in the movies. In fact it sounded more like an unmotivated student murdering an oboe at 4am. Polite requests for a decent night’s goddamn sleep fell on deaf ears. Ears, I repeat, that never had to suffer the bird in question. A month later, tired in every sense of this particular sample of Istanbul eccentricity, I decided to take out a contract. My rental contract. The landlord, a lawyer, took pity on my sorry, sleepless self, and to prove that the law here is occasionally there to be used, not ten minutes had passed before a brisk snapping sound sent the cockerel to the great barnyard in the sky. Not many months later, at the feast of sacrifice, I awoke to what resembled Tarantino’s tribute to the early films of Bunuel. Fresh from sleep I staggered to the 5th floor balcony, stretched, yawned and gazed down at the street. Where on the pavement below, in sight of the Galatasaray Lyceum a cow lay on its side, its blood washing the hill a charming shade of kiss-me crimson for about 20m. Istanbul. It’s an animal.

 

 

 

 

 

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